Listen, Twilight could have been completely solved if they had just chosen a college over the Grand Forks high school. Like? Y’all look 18 forever? I know college seniors who look 16, it’s cool. They don’t eat? Man we’re poor too, y’all don’t see me eat ever. Y’all glitter in the sunlight? It’s cool I went to a rave once too, that glitter shit it hard to get off. Like c’mon. Why would you wanna be in high school for a milenia anyways.
Also why would you wnt to take the same classes over and over? With college they could pick and choose. Like imagine.
“Dude are you sure you want to do History again? Last time you tried to fight the professor.”
“Screw it I’m majoring in the arts. They look like they know how to have fun.”
“Why are you majoring in maths? It’s boring.” “It’s the only thing they don’t keep changing.”
“You’re just taking a bunch of random classes. What even is your major this time?” “Partying.”
that one interview from yrs ago where bts were asked “if u could date anyone it would be…” and jin responded with “an honor” is the funniest thing he’s ever said
Some of the best writing advice I ever got was if you’re stuck on a scene or a line, the problem is actually about 10 lines back and that’s saved me from writer’s block so many times.
I feel like I need an elaborate explanation
Often times, I find myself stuck on what a character should say next or what should happen in a scene to connect A to B or so on. When this happens, I fall into the trap of writing and rewriting the same few lines over and over, and becoming more and more dissatisfied every time until I give up.
But problem is almost never actually whatever line I’m trying to write at the moment; the issue is the stuff leading up to the line. Maybe there are structural issues with the set up, maybe I wrote a bit of dialogue that was out of character leading to a discussion that doesn’t make sense, maybe I’m missing a vital piece of exposition or expositing too much. It could be a lot of things, but the important part of the advice is to look back and be willing to consider changes to something earlier in the work (even if you’re really attached to like a piece of dialogue or a particular sentence or something) instead of trying to find a way to force out a scene that’s not working.
